From now until Oscar Sunday I will be reviewing Best Picture winners. Enjoy!
Director: Steven Spielberg
Starring: Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall, Jonathan Sagalle
Academy Awards (1994):
Best Picture: Steven Spielberg, Gerald R. Molen, Branko Lustig
Best Director: Steven Spielberg
Best Writing, Screenplay Based on Material from Another Medium: Steven Zaillian
Best Cinematography: Janusz Kaminski
Best Film Editing: Michael Kahn
Best Art Direction-Set Decoration: Allan Starski, Ewa Braun
Best Music, Original Score: John Williams
Academy Award Nominations:
Best Actor in a Leading Role: Liam Neeson
Best Actor in a Supporting Role: Ralph Fiennes
Best Costume Design: Anna Sheppard
Best Makeup: Matthew W. Mungle, Christina Smith, Judith A. Cory
Best Sound: Andy Nelson, Ron Judkins, Scott Millan, Steve Pederson
As World War II begins, the Nazis move Polish Jews into the Kraków Ghetto. Businessman Oskar Schindler (Neeson), a member of the Nazi Party, arrives in Krakow to make a fortune. Bribing local German officials and making connections with the local Jewish black marketeers through Itzhak Stern (Kingsley), Schindler opens a factory producing enamel ware. He hires numerous Jewish workers, who cost less than Polish workers, and saves those workers from being sent to concentration and extermination camps.
SS officer Amon Goeth (Fiennes) arrives in Kraków to oversee the construction of the Płaszów concentration camp. Once the camp is completed, he orders the ghetto be liquidated, killing many of the Jews in the process. Schindler witnesses this from a distance, and shifts his priorities from making money to saving as many lives as possible.
This is Spielberg’s masterpiece.
There are very few films I’ve watched where I just have to sit and really let it soak in once the end credits roll. Movies like this really put into perspective how pathetic and petty my “struggles” really are. That’s been the case both times I’ve watched Schindler’s List.
Someone who makes a film about something as significant as the Holocaust has to be all in: directing, motivating performers, production, set design, etc. Though the full scope of the Holocaust can’t be completely explored in one movie, Steven Spielberg has probably come the closest to accomplishing this. Filming most of the movie in Poland instead of at a studio, using actors who work best in performing the complex emotions and actions of their characters are a couple of the things Spielberg nails spot on with Schindler’s List.
Stanley Kubrick was in production of his own Holocaust film, Aryan Papers, about the same time that Schindler’s List was released. He abandoned it, though, in part because of the broad scope of the subject matter. His critique centered on the fact that Schindler’s focuses on those who survived, a much smaller group compared to the more than 6 million who didn’t.
The black-and-white enhances the gravity of the subject matter. The way Schindler’s List is filmed conveys the human element that a documentary can’t quite capture while still having that documentary-type feel.
Liam Neeson gives one of the best performances of his career. He handles the various emotional stages Schindler goes through authentically. It’s interesting to see his transformation from a boozing, gambling, womanizing man living the highlife to a man hellbent on saving as many lives as he can. Witnessing the ghetto liquidation and Goeth’s heartless treatment of the Jews forces Schindler to stop keeping everyone at arm’s length and really take stock in his main purpose. Though he had done quite a few movies prior to Schindler’s List, he hadn’t had that one great breakout role. As a result, his star power doesn’t overshadow his performance as could have happened had a more accomplished actor been chosen for this role.
Having already won an Oscar for his role in Gandhi, Ben Kingsley is a grounded, purposeful character with wisdom, insight, and perspective. His nonverbal expressions provide a continuous reflection of Schindler’s character and his gradual transformation. Stern acts as Schindler’s conscience to a certain extent. He also offers perspective that Schindler has saved many lives when Schindler felt guilty for not sacrificing more to save more.
Ralph Fiennes gives an Oscar-worthy performance as the heartless and cruel Amon Goeth. His intimidation tactics with the Jewish prisoners works well in keeping them in line out of absolute fear. He seems like the kind of person who keeps pushing to see just how much he can get away with. It’s good, though, that he can be bribed and Schindler can help set some boundaries with his random and senseless killings.
The final scene where the real life Schindler Jews placing stones on Schindler’s grave was especially moving. I can appreciate someone like Spielberg wanting to tell their story and show the lasting impact that Oskar Schindler had on those that he saved. The epilogue serves as a time capsule that reaffirms that tangible human connection to those who lived and survived something as horrific as the Holocaust.
Having seen Schindler’s List twice now, I highly doubt I could sit through it again aside from watching it with someone else. It’s one of those films that is so powerful and moving that it only needs to be watched once. It is most definitely deserving of the 7 Academy Awards it earned in 1994, and remains timeless as it explored one of history’s darkest events.
My Rating: 5 out of 5 stars.