Director: Howard Deutch
Starring: Jack Lemmon, Walter Mathau, Sophia Loren, Ann-Margaret, Daryl Hannah, Kevin Pollack, Ann Guilbert, and Burgess Meredith
“I find you disgusting.” “Well, just as long as you find me.”
Six months after the events of Grumpy Old Men, Melanie (Hannah) and Jacob (Pollack) are engaged, Max (Mathau) and John (Lemmon) are getting along as they help their children plan their wedding, John and Ariel (Margaret) are happily married, and Maria Ragetti (Loren) moves to Wabasha to turn Chuck’s Bait Shop into Ragetti’s, a romantic lakefront Italian ristorante. Max and John do everything in their power to sabotage Ragetti’s, but Maria catches Max’s attention.
Though I usually get tired of movies that just repeat the same gags and rely on the same humor to the point where it gets annoyingly repetitive, Grumpier Old Men is the exception. This film relies heavily on a lot of what made Grumpy Old Men great, but they advance the main and secondary stories in a way that keeps things fresh, and introducing a love interest for Max. Using the same pleasantries Max and John exchange with each other makes sense since they’ve been friends/enemies virtually their whole lives. Why change it at this point?
I enjoyed seeing some of the central themes get fleshed out in this movie. Characters deal with getting older, finding and staying in love, and dealing with assorted family dynamics. It’s interesting how much the younger generation is trying to help out their parent and the how the parent responds. Jacob tries to get Max to do more than just “wait for another Ariel to drop into your life.” John tries to get Grandpa Gustafson to drink light beer or low-fat bacon.
Loren gives a great performance as Maria integrating into an already established cast. She does a good job as a woman who wants to open a nice restaurant but also has a lot of relational baggage. She is a formidable foe to Max and John and holds her own with Matthau as their relationship develops. Having Mama Ragetti (Guilbert) in Grumpier Old Men gives Grandpa Gustafson a love interest and makes it easier to bring him to a more prominent supporting role in the film.
Though he was less prominent in the first film, Burgess Meredith delivers a lot of great lines in Grumpier Old Men. He was better utilized in this film, whereas he spent most of his time in an ice shanty in Grumpy Old Men. I especially like his scenes with Lemmon. They do the father-son dynamic very well, and I especially love how John goes to his dad for advice even though he himself is retired. The scene where John is going through the laundry list of what’s going on and is seeking out his dad’s advice, that scene always gets me.
It’s also interesting how similar background music is used with specific events in both films. There are a lot of ways to do this wrong where it seems more repetitive and lazy, but it works in this movie.
As with its predecessor, Grumpier Old Men relies heavily on the comedic chemistry between the two lead actors, but also utilizes every performance to create a well-rounded, fun, heart-warming, and at times irreverent movie.
I enjoy it, I’ll see it again, I’d recommend it.
My Rating: 4 out of 5 stars.